(No, not the kind you garden with, the kind that ruin girls’ lives.) Let me state this up front: I hate Rakes. I despise immorality. I consider virtue to be one of the highest things a person can possess, and that includes sexual purity. Which means I especially hate an author trying to force me into approving of a philanderer enough to want him to wind up with the virtuous heroine. Since this shows up a lot in Regency fiction, I will focus on it there—but it also drives me nuts in every other time period.
If you want to know what a time period was truly like, look at the literature written during that period and compare it to modern stories set in the same world. The moral differences are stark. Since Jane Austen is the undisputed queen of Regency fiction, what do her works teach us? That during this period, your reputation as a woman was everything, but also, a man’s reputation mattered. There’s a lot of emphasis on her heroines avoiding falling prey to Rakes—men with dubious moral intentions, usually who seduce and abandon women, who in that time period, had no recourse, no way to re-enter polite society, and no one to protect them, unless a relative took them in despite their shame (or unless Colonel Brandon adopted you as his ward). But, men weren’t allowed to “sew their wild oats” without consequences either. Willoughby in Sense & Sensibility knocks up and abandons Brandon’s ward, and when his wealthy aunt finds out about it, she disinherits him for his shameful behavior. For ruining a girl! This is why he can’t marry Marianne – whom he genuinely loves (or at least, Elinor gives him the courtesy of thinking it’s real). She’s poor, and he’s been disinherited, which means no money for either of them. So he marries a wealthy woman who doesn’t care about his ruination instead. Poor thing.
Jane’s books work on a system of “punish the bad, reward the good.” It’s not a theme in all of her books, but it’s such a common one that her “rakes” are interchangeable; Willoughby, and Mr. Wickham from Pride and Prejudice, and Henry Crawford from Mansfield Park are all the same sort of man – “bad.” In that society, sexually immoral. They never get the girl, because they aren’t desirable. They are Rakes, philanderers, selfish in their hedonistic impulses. Jane didn’t believe they “deserved” to wind up with a virtuous heroine, and I don’t either. Marianne’s growth as a character is all about growing out of being attracted to a Rake (Willoughby) and realizing a virtuous man is a good catch, when she finally recognizes that Brandon is the better man. Lizzie Bennet doesn’t fall in love with Mr. Wickham, but she falls for his sob story (because it reinforces her own prejudices about Darcy), and then has to come around to realizing that as prickly as Darcy can be, he is the more moral and good man. Wickham is just after money, and then after revenge—but Darcy went out of his way to save her family from ruination, by forcing Wickham to marry Lydia after they ran off together and were living in sin. Even Emma has to fall out of her infatuation with Frank Churchill, who is a liar and a manipulator (a rake), to recognize that Mr. Knightley is the better man—again, because he cares about everyone else, rescues Harriet from humiliation, and even corrects Emma’s attitude when she has overstepped the bounds of propriety.
In this way, her heroes are the opposite of Rakes, because in each instance, they protect and do right by the women in their life. Brandon adopts the daughter of the woman he loved, who fell into sin, and raises her own illegitimate child. Darcy protects his sister from Wickham, and gets Lydia married off so it doesn’t ruin her sisters, even though it means dealing with a man he hates. Edward refuses to break off his engagement to the abominable Lucy, because he gave her his word, even though he loves Elinor. And Mr. Knightley cares about Harriet and her happiness enough to push Emma to stop her meddling. Even Captain Wentworth wants to do right by the women in his life.
The message Jane intends for her reader to absorb, even as they laugh at her wonderful characters, is that good and bad exist, and bad comes in the form of “Rakes” who want to ruin a girl. Theirs is not love, because a true love is selfless, and theirs is all self-serving, about their gratification at the cost of a girl’s life and reputation. I grew up on and admire these kinds of men, who show genuine love, because they want what is best for the woman in their life, rather than seeking to think only about fulfilling their sexual urges.
But virtue isn’t desirable in most circles anymore, which is unfortunate. Rakes are now “sexy” even if I find them abhorrent. For contrast, let’s talk about Bridgerton. Since I haven’t read the books (and probably won’t), I’ll focus on the representation of a family of “Rakes” in the Netflix series. While the girls are all supposed to be virginal and innocent and virtuous, almost all the men (minus Colin) after them are promiscuous. All of the attractive men I’m supposed to root for have sexual escapades, until they start chasing the virtuous heroine. Simon sleeps around until he marries Daphne, and in season two, we see Anthony Brigerton simultaneously looking for a pure and well-bred wife while paying prostitutes for sex. All his brother Benedict wants to do is paint naked women and sleep with them, sometimes two at a time. But I’m supposed to swoon over them falling in love and root for them to get that gorgeous, virginal heroine into the sack, and believe that will end their philandering. Yeah, right. They are Rakes. It won’t stop it.
It’s not even authentic to the time period, since this behavior wouldn’t be considered appropriate in Regency society. If the news of Willoughby knocking up a girl could get him disinherited, Lady Whistledown breezily commenting on “Anthony being a rake with a capital R” in the society gossip pages could have had the same devastating consequences. That wasn’t to say people behaved themselves, but it wasn’t a laughing matter. Yes, people got pregnant outside of wedlock (and ruined). Yes, men messed around, but they kept it on the down-low. Yes, some of them had mistresses, but I doubt they had sex where people could walk in on them. And as much lust as Anthony and a girl have for each other, she wouldn’t rip off all her clothes and sleep with him in a gazebo, either. That’s pure smut-fiction. Kate is a smart girl who would know she could get pregnant and ruined. (The books are apparently better in this regard; they have an arranged marriage, so all the ‘sexy times’ happens inside of that.)
Beyond that, let’s think about this in purely practical terms. Unprotected Regency sex with prostitutes causes syphilis, which means the Rake could infect his pure, virginal bride and ruin her life. As a moral aside here, from my Christian upbringing—God doesn’t give us moral rules to ruin our fun, but to protect us from the consequences of our behavior. Sexual immorality with multiple people causes venereal diseases, and the consequences of those can be devastating—if you didn’t die from it, you got arsenic poisoning from the doctors trying to cure it; and in women, it could cause barrenness or deformed children.
So why in the hell I would root for a Rake to get a nice girl? Someone that I like? Why should she sleep with everyone he has ever slept with and possibly get hurt from it?
My unequivocal answer is, no. I will never root for a philanderer’s romance with a sweet, innocent girl. You can’t make me. It will never happen. So stop trying to sell me on this.
I realize why writers do this. It’s misogynistic if it comes from a male writer (the idea that a man should/can have lots of sex with random women, and when he’s ready to “settle down,” he deserves a pure mother for his children, which is incredibly sexist). But women writers tend to romanticize it, in the notion that the right woman can make an immoral man behave himself. (Nope.) It also allows them to have the man be “experienced,” so he can give the heroine mind-blowing orgasms right away. But in so doing, the Rake is treating women like meat. I use this one and throw her away, and do the same with this one, and then I will get my reward, which is a massive hunk of steak.
For some reason, the idea of a virtuous woman falling for a Rake is also “interesting.” (Not to me.) The problem is, it’s inconsistent with her character. A truly virtuous person has no interest in being with someone who isn’t virtuous, because virtue is one of their highest personal standards. It’s a deal-breaker.
Which brings me to my last rant. Jane Austen herself. When the movie Becoming Jane came out, I went to see it… and left angry and perplexed, because Jane fell in love with a Rake. This boy pushed her to read sexually explicit literature, he slept around and drank, but for some reason, she still fell in love with him. It made no sense that the woman who focused so much on virtue, who abhorred Rakes in her novels and clearly preferred Virtuous Men, would fall for a Rake. It was inconsistent with her worldview and personality. Well, years later, I read a biography about Jane Austen. Imagine my horror to find out the “Rake” wasn’t one at all; he was exactly the kind of virtuous man she would have liked—a Brandon. Someone who loved her, but could not marry her, because he could not afford to. The screenwriters decided to make their story more sexually exciting by playing Jane’s moral beliefs off against those of a “Rake.” In the process, they sacrificed the truth of who both of them was, by ignoring her belief in virtue as one of the highest qualities a person can possess.
I don’t mind a bad boy now and again. I can even be quite fond of them. But I want my heroes to be moral. I want the man I am rooting for to be a Colonel Brandon, not an Anthony Bridgerton. I can’t respect men who disrespect women, and I certainly don’t want them “rewarded” with a good woman. It’s one thing to have made mistakes in your past, to be repentant and to be striving toward virtue (redemption), but it’s another to expect me to root for a man who probably has venereal disease and who has disrespected other women in the past in his cavalier treatment of their virtue, to wind up with Marianne. Ain’t happening.
It’s a pleasure to learn about Jane Austen here, and I think it’s brilliant how you compare and contrast her most famous stories and rakes with Bridgerton’s👏🎩
Austen is most certainly rolling in her grave.
Thanks for reading and commenting! 🙂
“I am supposed to root for this hot guy. But he’s probably got venereal disease so no thanks.” LOLLLLLL.
Excellent post! There are a few (a VERY few) ‘bad boy redeemed by innocent woman’ stories that I like (Guys & Dolls being the main one at the moment), but overall it’s such an icky trope. Give me honest, honorable, decent, virtuous, moral, heroic, AMAZING heroes any day, rather than some Wickham or Willoughby or (horrors!) Bridgerton. Good point about Jane Austen too, and how Becoming Jane is sooooo far from the truth. (Though I still enjoy the film as a period drama–just not a faithful bio-pic.)
I do try to crowd-please whenever possible with my witty captions. 😉
It really is a nasty trope. To me, it’s rewarding bad behavior and giving in to the mindset that “boys will be boys” — as if men have no control over their sexual urges, which is in no way fair to them. I don’t mind a bad boy now and again (usually if he’s very clearly the villain, and therefore fun to root for — Kylo Ren being an example) but I really want the people I am supposed to like and admire to have moral character.
Kylo Ren YES. (Though I didn’t like him until he got that sweet mini-redemption arc in Rise of Skywalker. <3)
I appreciate every point you made – thank you for posting, Charity.
Thanks for reading! 🙂
Another great post! The whole rake-redeemed-by-a-virtuous-woman trope is so overdone. I’ve read some of the Bridgerton books, but have yet to watch the show, No, I’ll take that back; I started to watch it, came across Anthony, a girl, and his exposed backside and thought “Mom’s in the next room…can’t show this to her!” What I love about Austen is that she held her heroines and heroes to the same standards – if a woman had to be respectable and pure, so did the man. I never read her books or watched an adaptation of hers and wished Marianne ended up with Willoughby, or Elizabeth with Wickham. She knew what true love and romance was, she knew best, which is why her works have stood the test of time. Which brings me to “Becoming Jane.” ::sighs:: It’s entertaining and there are certain aspects I like (Austen’s determination to be a writer, the portrayal of her family, nods to her books) but Tom Lefroy’s character assassination and the made-up elopement detracts from it. I feel it also disrespects Austen and her beliefs and her character. She wasn’t shallow and I don’t feel she would have fallen in love a Wickham/Willoughby type (Tom Lefroy wasn’t one, but you know what I mean); Austen was a Christian and though it’s debated how evangelical she was, she did take her faith seriously and lived out her beliefs. Now, I’ll get off my little soap box. 😉
I’ve heard the books are a little less scandalous — or at least, any “sexy times” takes place within marriage. And I guess Anthony isn’t such a man-whore in the books, either, so it disappoints me they decided to make him one in the series just as an excuse to include titillation. His scenes are unbearable in the first season — he is only ever bossing around his sisters, or having sex with his mistress. Ugh. (Season two is much cleaner, which shocked me. I guess Covid restrictions were good for something. 😉 )
I agree with you that Austen’s moral standards carrying over to both sexes (with no excuses) is one of the attractive equalizers in her novels. She also treats them equally in how she makes them equally ridiculous. Emma may be interfering, but Knightley is judgmental; Lizzie is prejudiced, and Darcy full of pride; Elinor is too nice to everybody, and so is Edward (who almost marries the wrong person, because he’s so “noble”). It’s astonishing how wise she was, even though she never had a romantic relationship of her own. No marriage, no children, and yet, she knew the character of people and what mattered most, thanks to her beliefs.
My feelings about Becoming Jane are mixed. It’s a pretty costume drama, it has a great cast, but there’s a lot of smut in it for a PG movie, between her parents, her (who is it?) sister in law (?), and Tom. It just feels a little tawdry, unlike her stories.
By the way, if you haven’t discovered this already — stay away from Sanditon! They adapted it off her last, unfinished novel, but Sidney Carter is another unredeemed Rake that Charlotte falls in love with, and overall, it contains a lot of behavior Jane wouldn’t have approved of (“incest” between step-siblings, premarital sex, whore houses, etc). Season two is clean so far but overall it ISN’T Jane Austen (it’s neither witty nor fun like her stories are), so it’s kind of “meh” in my view.
Feel free to draw up your soap box anytime! 😉
//sarcastic inflection begins here//
Ohhhhhhhh. Okay. I see how it is. Your sexy, reckless, dangerous, mysterious “”hero”” uses women like disposable toys and throws them away, but the minute he lays eyes on your sweet, pure heroine, he’s going to abandon his selfish ways and they’re going to have a beautiful, faithful marriage and he’s never going to sleep around again, because she’s so much more special than all those other women he’s slept with. Because she’s *checks notes* a virgin. Yeah, that totally checks out.
//sarcastic inflection ends here//
I just don’t understand why we’re still perpetuating the myth that women are supposed to purify men. I really, really don’t.
This is my problem with all iterations of the good-girl-redeems-bad-boy-slash-villain trope: it assumes women exist for men. That as a woman, my virtue, or my standards, or whatever you want to call it, exists for the purpose of redeeming a man. No, it bloody doesn’t! You’re just going to have to redeem yourself, Mr. Vaguely Defined Bad Boy, because–let me see, how shall I express this nicely? Oh, yeah–I DON’T CARE ABOUT YOU. 😛
You make a good point about the consequences for “loose” men in the Regency era. I agree. While those consequences weren’t super consistent, and many men absolutely slept around and visited prostitutes and got away with it, you did run the risk of losing your social reputation and being ostracized by families with higher standards if you engaged in such behavior openly. Of course, Jane, as the female author, is working to level the playing field by making DEAD SURE her rakes and rogues face the appropriate consequences. She gets to choose whether their sins catch up with them or not; and they do. And we applaud.
How is you are wiser than Anne Boleyn ever was? 😉 (“Henry may be a slut, but once he marries me, he will be faithful to me, cuz I am not that old shriveled queen of his!”) I just… can’t. I can’t understand women who get involved with promiscuous men and then are surprised when they keep doing it. And a Rake isn’t going to behave himself, just because he gets married. It’s not in his nature.
I love actual Redemption Arcs, but Rakes generally don’t go through them. They never repent, they never change, they never make amends to the women they have harmed, they just get married to the heroine and act as if all is forgiven.
Jane is epic. We stan Jane. 😉
Oh, Anne. *shakes head*
“They never repent, they never change, they never make amends to the women they have harmed, they just get married to the heroine and act as if all is forgiven.” <<< Preach!
Jane IS epic, and we DO stan her, indeed.